It was Easter Sunday night, 1980, when T.J. Tindall and
I drove my 1963 Plymouth Valient (with a slant-six engine) from Philadelphia
to New York City. By June of that year we were cutting demos in the
basement of the Sire Records offices, a brownstone located "on the upper
part of the Upper West Side." The artist was Melinda "Hurricane"
Jones, wife of John Montgomery, who was then a record promoter for the
label.
That basement studio had a tiny control room, with a small
SoundWorkshop mixer and the "original" Otari 5050 half-inch 8-track.
(It used the same stereo recording electronics as their two-tracks from
that era, four of them.) The control room was a challenge to work
in and I will post some of the early mixes just to demonstrate the process
of getting a handle on that space.
Who and what was Hurricane Jones? Somewhere between
punk and Betty Boop, with Cyndi Lauper paving the way in her group, Blue
Angel (1980). This was the seque era between Punk and New Wave, with
stripped-down production. My Faves from this time period were the
Police and Elvis Costello. The Sony Walkman was the IPOD of the eighties.
I remember hearing Melinda talk about Blue Angel back
then, but I didn't hear Cyndi Lauper until 1984 when I worked at Record
Plant and she had just finished the album that made her famous. Madonna
would release her first album on Sire in 1983.
You can "taste" the early eighties in these first five
songs recorded at Sire. All but one made it to the album intact,
with perhaps an overdub or two, except "What is You Number," All will be
included below. They range from the punky "School Monitor," the cute
"Yi-Yi-Yi," the sexy "Deep Desire" All are uniquely Melinda.
5 June 1980
3 August 1980
I hope to get all of the aforementioned players to
share their story as I think it will be an interesting bit of time travel.